![Strangling blondes: nineteenth-century femininity and Korngold's Die tote Stadt | Cambridge Opera Journal | Cambridge Core Strangling blondes: nineteenth-century femininity and Korngold's Die tote Stadt | Cambridge Opera Journal | Cambridge Core](https://static.cambridge.org/binary/version/id/urn:cambridge.org:id:binary-alt:20160626072022-49990-mediumThumb-S095458671200002X_fig2g.jpg?pub-status=live)
Strangling blondes: nineteenth-century femininity and Korngold's Die tote Stadt | Cambridge Opera Journal | Cambridge Core
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Between two worlds « parterre box - "The most essential blog in opera!" – New York Times | Where opera is king and you, the readers, are queens.
![Gustave Charpentier, Charles Gounod, Jules Massenet, Antonin Dvorak, Friedrich von Flotow, Giacomo Puccini, Erich Wolfgang Korngold, Carl Orff, Richard Strauss, Sergey Rachmaninov - Renee Fleming - The Beautiful Voice ~ Gounod, Lehar, Gustave Charpentier, Charles Gounod, Jules Massenet, Antonin Dvorak, Friedrich von Flotow, Giacomo Puccini, Erich Wolfgang Korngold, Carl Orff, Richard Strauss, Sergey Rachmaninov - Renee Fleming - The Beautiful Voice ~ Gounod, Lehar,](https://m.media-amazon.com/images/I/51DurdRHqUL._SY1000_.jpg)
Gustave Charpentier, Charles Gounod, Jules Massenet, Antonin Dvorak, Friedrich von Flotow, Giacomo Puccini, Erich Wolfgang Korngold, Carl Orff, Richard Strauss, Sergey Rachmaninov - Renee Fleming - The Beautiful Voice ~ Gounod, Lehar,
![Between two worlds « parterre box - "The most essential blog in opera!" – New York Times | Where opera is king and you, the readers, are queens. Between two worlds « parterre box - "The most essential blog in opera!" – New York Times | Where opera is king and you, the readers, are queens.](http://parterre.com/wp-content/uploads/2015/03/tote_stadt_amazon.jpg)